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WDT - Mickey Mouse in Black & White - volume 1

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Walt Disney Treasures - Mickey Mouse in Black and White - volume 1 [DVD5 ENG - Sub ENG] [Tntvillage.Scambioetico]



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Mickey Mouse in Black and White







volume 1





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Molto prima dell’avvento dei parchi a tema, dei film e della gigantesca azienda
che la Disney è diventata, proprio agli inizi……. “ C’era una volta un uomo con il suo
topo.”

La creazione di Topolino ha influenzato l’evoluzione della cultura popolare negli USA e, se dobbiamo dirla tutta,
anche nel mondo, più di qualunque altro evento nel ventesimo secolo. Dopo una serie di insuccessi, Walt trovò il
successo (già respirato con Oswald, il coniglio fortunato) quando Topolino venne presentato al mondo, e fu questo
successo che ha catapultato il futuro del piccolo studio di animazione nel mondo dei grandi media.



Questo cofanetto fa parte della seconda “ondata” di pubblicazioni dei Walt Disney Treasures e riporta gli
spettatori al tempo in cui Topolino era agli inizi della sua carriera di star. Sebbene appaia un po’
“crudo”, forse “retro”, nell’animazione e nella personalità, Topolino è sempre
stato lo stesso, col suo fascino, amante del divertimento, un eroe americano, quale poi si è trasformato nel tempo,
fino a giungere perfettamente adattato ai tempi nostri.



Long before theme parks, feature films, and corporate giantism, there was a man and his mouse. Walt Disney's creation of
Mickey Mouse influenced the evolution of popular culture in America and even the world as much as,  

and perhaps more than, any other force in the twentieth century. After a series of disappointments in his struggling
career, Walt met with great success when Mickey Mouse first met the world, and it was this success that catapulted his
future media empire. 



The second wave of the Walt Disney Treasures series takes viewers back to those earliest days of Disney, when Mickey
Mouse was a newborn movie star. Though a bit cruder in both animation and character in his earliest appearances, he was
generally the same lively, charming, fun-loving, all-American hero then that we know today. 













Formato Audio/Video (Audio/Video Format):



2 dvd5 NTSC

Audio: ENG

Sottottitoli (Subtitles): English for hear impaired





Contenuti:



Disco 1:



Cortometraggi



1928: Steamboat Willie, The Gallopin' Gaucho, Plane Crazy;

1929: The Karnival Kid, Mickey's Follies; 

1930: The Fire Fighters, The Chain Gang, The Gorilla Mystery, Pioneer Days; 

1931: The Birthday Party, Mickey Steps Out, Blue Rhythm, Mickey Cuts Up,
Mickey's Orphans; 

1932: The Duck Hunt, Mickey's Review, Mickey's Nightmare, The Whoopee Party,
Touchdown Mickey, The Klondike Kid 



Bonus Material: "Frank and Ollie...and Mickey", Story Scripts, Story Sketch
Sequences, Easter Egg 







Disco 2:





Cortometraggi





1933: Building a Building, The Mad Doctor, Ye Olden Days, The Mail Pilot,
Mickey's Gala Premiere, Puppy Love, The Pet Store, Giantland; 

1934: Camping Out, Gulliver Mickey, Orphan's Benefit, The Dognapper, Two-Gun
Mickey; 

1935: Mickey's Service Station 



Bonus Material: Bonus Material: Pencil Test, Story Sketch Sequences, Poster Art
Gallery 





Tempo Totale di RiProduction: 256 Minutes (4 ore, 16 minuti)



1.33:1 Fullscreen (Original Ratio) / Dolby Digital Mono

Originally Released between 1928 and 1935





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DISCO 1



Uno dei punti chiave del successo dei cartoni di Topolino è stata la contemporaneità della sua presentazione con
l’avvento del sonoro, o meglio l’accoppiata del video e del sonoro. Per questo motivo, nei primi anni
sullo schermo, i cartoni di Topolino sono stati studiati per porre grande enfasi sull’utilizzo di gag accoppiate
ad un sonoro tipico dell’America del tempo. Spesso l’intreccio della Plot è indistinguibile dal
“musical” che la accompagna. Molto del fascino di questi cartoni è anche collegato alla relazione con
Minni, cosa che introduce le storie al pubblico in modo che vengano percepite come “carbonizzazione” delle
nostre vicende personali.



Il Disco 1 offre 20 cartoni suddivisi in 4 pagine di menu consultabili sia alfabeticamente che cronologicamente. Leonard
Maltin introduce il Disco (3:49) con un inquadramento storico dell’America degli anni ’20, in modo da
aiutare il pubblico a rendersi conto dell’impatto che i cartoni di Topolino sono riusciti ad avere. Maltin
interviene con prefazioni di alcuni short spiegando situazioni che potrebbero essere dei “tabù” o
comunque non politicamente corrette per la società odierna. 





One of the keys to the success of the Mickey cartoons was the never-before-seen fusion of animation and sound.
Therefore, in their first few years on the big screen, the Mickey cartoons placed a great emphasis on incorporating
amusing gags with tunes standard to the America of the day. In many of the shorts, plots are loosely built around these
musical showcases and are sometimes even indiscernible. A great deal of their charm comes from Mickey's relentless
pursuit of the affections of Minnie Mouse, an on-and-off relationship that offers something with which both genders can
relate. 



Disc one offers twenty shorts spread over four pages that can be listed either chronologically or alphabetically.
Puzzlingly, no "Play All" option is offered. Film critic and historian Leonard Maltin opens the disc by setting the
stage of 1920s America so that viewers can better understand the impact that the Mickey cartoons were able to have. This
brief introduction (3:49) is accessible from the main menu as well. He also prefaces several of the shorts with
explanations for situations and lines that might be considered taboo in today's society. Mr. Maltin's enthusiasm for
these cartoons is always apparent, but these introductions can at times seem excessively apologetic for what's contained
inside the shorts, which likely has more to do with Disney itself rather than Maltin. Still, they provide historical
context and are a small price to pay for having these cartoons uncensored (as far as I can tell) on DVD. If they are too
much for you to bear, they are conveniently chapter-skippable.









I cortometraggi:



Steamboat Willie (1928) (7:45) 



The Gallopin' Gaucho (1928) (7:16 with introduction by Leonard Maltin) 



Plane Crazy (1928) (6:00) 



The Karnival Kid (1929) (7:41) 



   



Mickey's Follies (1929) (6:34 with "1929" introduction card) 



The Fire Fighters (1930) (7:26 with "1930" introduction card) 



The Chain Gang (1930) (8:02) 



The Gorilla Mystery (1930) (7:32) 



   



Pioneer Days (1930) (8:47 with introduction by Leonard Maltin) 



The Birthday Party (1931) (7:32) 



Mickey Steps Out (1931) (8:42 with introduction by Leonard Maltin) 



Blue Rhythm (1931) (7:25) 



   



Mickey Cuts Up (1931) (7:16) 



Mickey's Orphans (1931) (7:08) 



The Duck Hunt (1932) (7:22 with "1932" introduction card) 



Mickey's Review (1932) (6:58) 



   



Mickey's Nightmare (1932) (7:32) 



The Whoopee Party (1932) (7:55 with introduction by Leonard Maltin) 



Touchdown Mickey (1932) (6:31) 



The Klondike Kid (1932) (7:56 with introduction by Leonard Maltin) 



 





BONUS FEATURES

"Frank and Ollie... and Mickey"  (18:18) Si tratta di un intervistatra Leonard
Maltin e due leggende dell’animazione: Frank Thomas e Ollie Johnston. Sebben essi abbiano iniziato la lroro
carriera alla Disney verso la fine dell’era del bianco e nero, hYears molto da dire circa quello che il
personaggio ha significato per loro, sia prima che durante la loro straordinaria avventura alla Disney. Maltin chiede
loro di analizzare alcuni disegni, mentre vengono presentati spezzoni di cartoni correlati alla discussione.

"Script di storie" Vengono analizzati due script di storie che permettono di
avere una visione particolare di come i cartoni sono stati costruiti. Il più interessante è “Steamboat
Wille”, nel quale si scende in profondità nell’analisi della problematica dell’unione di
animazione e suono. Riguardo a “Mickey Steps Out”, vengono presentate scansioni dei manoscritti originali.


"Sequenze di storyboard"Vengono presentate 7 sequenze di disegni di cartoni
differenti, a livello di storyboard, accompagnati da musica ragtime. Ognuno di essi dura dai 2 ai 4 minuti.

Uovo di Pasqua (14:02): Prima che il Mickey Mouse Show diventasse uno show della
TV, esso era un vero e proprio club che nasceva in ogni città della nazione. Questo supplemento presenta gli incontri
dei club nel tempo. Viene anche presentato uno short che Disney ha creato specificamente per questi club:  "Minnie's Yoo
Hoo", un cartone musicale. 



BONUS 

"Frank and Ollie... and Mickey"  (18:18)The first of several special features on
Disc One is a featurette entitled "Frank and Ollie... and Mickey" (18:18). This is a fascinating interview between
Leonard Maltin and two of Disney's most legendary animators, Frank Thomas and Ollie Johnston. Though they joined the
Disney team towards the end of Mickey's days in black and white, they have a lot to say about what the character meant
to them,  

both before and during their days with Disney. Maltin often shows them a particular drawing and asks them to analyze it,
and their comments are edited together with footage from inside the Disney studios and various Mickey shorts. At nearly
twenty minutes, it's thorough and one of the better supplements to come from the Treasures line. 

"Story Script" Two story scripts are offered, which provide first a look at a
complete panel and then a close-up of the text and the picture on each panel. "Steamboat Willie" is most interesting.
From it, the depth of thought required for this first joining of animation and sound becomes apparent. Fans might note
the references made to earlier Oswald the Lucky Rabbit shorts as well. The other script, "Mickey Steps Out," is quite
difficult to read. Granted, these seem to be scans of original manuscripts, so it's still worth looking at, but trying
to make out most of these panels probably isn't good for the eyes. A short introduction from Leonard Maltin (1:10)
precedes the two scripts, which require heavy use of DVD selection buttons for browsing. 

"Storyboard sequences" Seven story sketch sequences from disc one cartoons put
storyboard drawings to lively ragtime tunes. Each lasts two to four minutes and is easy to watch, and again, Leonard
Maltin kicks them off with a brief informative message (1:27). 

Easter Egg (14:02): Easter Egg: Maltin returns again to clue viewers in on the
treat they've just discovered. Long before The Mickey Mouse Club was a TV show, it was an actual club popping up all
over the nation. This supplement (14:02) takes viewers inside those club meetings via a newsreel profiling them during
the era. There's also a short that was created by Disney exclusively for these clubs: a sing-along to "Minnie's Yoo Hoo"
with Mickey Mouse, complete with a second verse. In watching this, it becomes even easier to fully appreciate the
phenomenon that Mickey Mouse had become. 



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DISCO 2





Dopo alcuni anni sul grande schermo, le storie di Topolino si accrescono con Other informations e lunghezza degli short.
Sebbene le gag sottolineate dalla musica siano ancora importanti, molti dei cartoni del Disco 2 sono più articolati.
Leonard Maltin discute l’evoluzione del personaggio (2:04).



After a few years on the big screen, Mickey's endeavors began to grow in detail and length. Though sound gags are still
of great importance, many of the second disc's shorts embrace strong plotlines as well. The disc starts with Leonard
Maltin discussing this evolution, as well as mentioning some of his favorite moments on the disc (2:04). 







I cortometraggi:





Building A Building (1933) (7:20 with "1933" introduction card) 



The Mad Doctor (1933) (6:52) 



Ye Olden Days (1933) (8:19) 



The Mail Pilot (1933) (7:32) 

   





Mickey's Gala Premiere (1933) (7:22) 



Puppy Love (1933) (8:07) 



The Pet Store (1933) (7:25) 



Giantland (1933) (8:04) 



Camping Out (1934) (7:28 with "1934" introduction card) 

   



Gulliver Mickey (1934) (9:58 with introduction by Leonard Maltin) 



Orphan's Benefit (1934) (8:53) 



The Dognapper (1934) (7:49) 



Two-Gun Mickey (1934) (9:21) 



Mickey's Service Station (1935) (8:02) 









BONUS FEATURES

"Test di animazione" Prima di mandare un cartone alla colorazione ed ai ritocchi
finali, Walt mandava un test di animazione “a matita” al suo team in modo da dare e ricevere suggerimenti.
Solo uno di questi test di animazione dei primi anni di Topolino è giunto fino a noi. SI tratta di un pezzo di
“The Mail Pilot, che vien incluso in questo disco (3:02, con presentazione di Leonard Maltin). Sebbene sia un
abbozzo, molto lontano dal prodotto finito, la traccia audio è intatta e già a questo stadio, si apprezza
l’effetto finale.



"Galleria di Poster" Vengono presentati una galleria di poster relative a 21
cartoni di Topolino, molti dei quali a colori ed alcuni accompagnati da commenti audio di Maltin







BONUS FEATURES



"Pencil Animation Test"Before sending in a cartoon for color and finishing
touches, Walt would screen a "pencil test" of rough animation to his team so that changes could be suggested. Only one
such pencil test from Mickey's earliest years survives today, and it is the segment from "The Mail Pilot" that is
included here (3:02 with an explanatory introduction from Leonard Maltin). Though it is far from finished, the audio
track is in tact and even in this early stage, it holds up as an entertaining piece of work. 



"Poster Gallery"The final special feature is a gallery of poster art from
various Mickey Mouse shorts. 21 posters, most of which are in full color and a few of which contain audio commentary
from Maltin, make for a great inclusion on the set. 





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